If you have read American superhero comics or searched for unconventional indie titles over the past three decades, you will certainly have come across Grant Morrison’s work.

Born in 1960 in Glasgow, Scotland, Morrison emerged in the British comics scene during the late 1970s and early 1980s, gaining recognition with comics such as Zenith (1987-1992) for 2000 AD before following Alan Moore‘s steps and joining the “British Invasion” of writers recruited by DC Comics who reshaped American superhero comics during the 1980s and 1990s.

Morrison began in 1988 with Animal Man, which quickly earned acclaim for its postmodern take on the superhero genre, combining environmental themes with metafictional commentary. This was followed by Doom Patrol, where Morrison’s surreal and avant-garde storytelling redefined the series and solidified their reputation for revitalizing obscure characters. By the early 1990s, Morrison had become central to DC’s publishing strategy, contributing both to mainstream superhero titles and the emerging Vertigo imprint.

After a period at Marvel in the early 2000s, Morrison returned to DC to lead a new era of high-profile projects, ambitious narratives, and large-scale crossover events, consolidating their reputation as one of the publisher’s most innovative and influential writers. Today, Morrison’s work is regarded as essential to the modern DC canon, with their influence visible across the company’s most notable publications.

And now, let’s take a closer look at Morrison’s works at DC Comics!

Read More »A Guide to Grant Morrison comics at DC Comics

With the launch of the Batman: The Animated Series, a new and popular version of the DC Comics universe found its way to a new generation of fans. While not connected to the main line of comics, it borrowed a lot, adapted many comics into episodes, and also created new stories and characters that would eventually be later introduced in the canonical timeline of the post-Crisis DC Comics Universe.

With its easily recognizable art style and its own developing universe, Batman: TAS opened the way for what we know call the DC Animated Universe. Guided by producers Bruce Timm, Paul Dini, Alan Burnett, and others, it’s whole universe of animated shows that was created with Superman: The Animated Series (1996–2000), Batman Beyond (1999–2001), and Justice League (2001–2004) along with its follow-up Justice League Unlimited (2004–2006), but also a new line of comics was launched.

Although primarily aimed at younger readers, the comics were noted for their storytelling quality, which appealed to a broader audience. It often introduced original characters, bridged episode narratives, and explored side stories within the DCAU continuity. Serving both as accessible entry points for new readers and as canonical expansions of the animated franchise, the comics were typically written and illustrated by creators closely associated with the animated productions, including Kelley Puckett, Ty Templeton, and Rick Burchett, ensuring fidelity to the shows’ tone, characterizations, and art style.

Over time, the DCAU comics evolved into a cohesive publishing universe in their own right. The universe has been revisited through miniseries, specials, and digital-first projects well into the 2020s, establishing it as one of DC Comics’ most enduring multimedia spin-offs.

Read More »DCAU Comics Reading Order: The Extended DC Animated Universe