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Wonder Woman, The Origin Story: The Inspirations and Multiple Retcons Behind the Amazon’s Creation

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She’s the most recognizable female superhero in the history of comic books, and even beyond that. Wonder Woman was not the first one, but she certainly is the first to find success. Her story began a long time ago…

At the end of the 1930s, the kids read comic books in masse, especially Superman and Batman! But as it is always the case, some people thought that these stories full of heroes fighting criminals would transform a generation of children into hardened criminals themself, probably resorting to violence before anything else. Not everybody feared the worst. In fact, psychologist William Moulton Marston thought that comics were wonderful and made it known. This led him to get recruited by Maxwell Charles Gaines–then publisher of All-American Publications, aka DC–into the Editorial Advisory Board of the company.

As a consulting psychologist, Marston was in a position of influence and convinced Gaines to try a female superhero to discredit a good part of the arguments used against the violent men of comics. It turns out that Marston was a hardened feminist with a particular lifestyle (living with 2 wives, and 4 comics-reading children) and was in search of a way to disseminate his views.

Using the pen name Charles Moulton, he started to develop the story of “Suprema, The Wonder Woman”–editor Sheldon Mayer quickly got rid of the Suprema name. Inspired by the way the women’s suffrage movement used the myth of the Amazons to develop the narrative behind the changes they wanted, his beliefs in the superiority of women, his work in lie detection and in the spectrum of emotions, his interest in bondage, and a lot of elements taken directly from his life (and the ones of the women in his life), William Moulton Marston was determined to build a feminist tale.

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The Phantom Stranger: What are the origins and powers of the mysterious guardian of the DC Universe?

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In 1952, there was a boom in the horror comic genre and National Comics Publications (the previous name of DC Comics) wanted its slice of the cake. Created by writer John Broome and artist Carmine Infantino in the comics’ Phantom Stranger #1 was part of the strategy to capitalize on the craze—the series was canceled after six issues though.

Nevertheless, this was the introduction of the Phantom Stranger, a mysterious figure—wearing a blue fedora and overcoat—who, at first, used to prove that supernatural events were hoaxes perpetrated by criminals. His most evident talent was his capacity for appearing where and when he was needed before simply disappearing.

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Hellboy: The Creation and Origin Story of Mike Mignola’s Red Monster

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Mike Mignola was getting known for his work for Marvel and DC, but it was not what he especially desired to draw. What he wanted to do was stories about an occult detective and did it with Hellboy.

This was in 1993. Mignola had finished his now-celebrated comic adaptation of the Bram Stoker’s Dracula movie that helped him continue to explore themes and historical elements he was really into—like did his (DC Elseworlds) Gotham by Gaslight story just before. For his next work, he wanted to do a created-owned book and, at first, he intended to keep going in that same direction, inspired by stories written by William Hope Hodgson (Carnacki), Alice & Claude Askew (Aylmer Vance), H. Heron (Flaxman Low), A.M. Burrage (Francis Chard), and more. But after being confronted with the challenges of drawing Victorian-era stories, he kept his occult detective concept and chose another time period.

The idea of the big red monster was inspired by a drawing he made a couple of years earlier for a pamphlet to help promote the Great Salt Lake Comic-Con. It was not the Hellboy we know now, but a demonic monster with the word “Hell Boy” on his belt. That name was what the artist kept in mind as the design of the character evolved seriously and transformed into a more human creature—still, he was a red-skinned, cloven-hooved demon with a big gun.

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The Galactus Origin Story, The Creation of Stan Lee and Jack Kirby’s Devourer of Worlds

Appearing for the first time in 1966 in Fantastic Four #48, written by Stan Lee and illustrated by Jack Kirby (see our guide to the Fantastic Four series), Galactus was at first just another super-villain that was imagined to be bigger than the previous antagonists. In order to differentiate him from the others and avoid delivering a stereotypical bad guy, Lee and Kirby decided to go all in. The writer wanted him to be really evil, the artist went biblical. They wanted something new and created it.

Also known as the Devourer of Worlds, Galactus was at the heart of what is now called the Galactus Trilogy, Fantastic Four #48 to #50 (part of our best Marvel comic to read selection), and that was supposed to be the end of his story, but he became extremely popular and this prompt Lee and Kirby to bring him back (see Fantastic Four #120–123, #172–175, #208–213, or Thor #225–228). He became a mainstay in the Marvel Universe.

And in 1978, in the one-shot graphic novel The Silver Surfer: The Ultimate Cosmic Experience!, Stan Lee and Jack Kirby reunited to tell an out-of-continuity origin story of Galactus and the Silver Surfer without the Fantastic Four! It would not be the last time the origins and motivations of the characters would be explored though.

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Sin City Reading Order, Frank Miller’s crime noir classic

Frank Miller's Sin City Reading Order

After deciding to stop working for DC Comics, Frank Miller went to Dark Horse Comics with two projects, the miniseries Give Me Liberty (a Martha Washington story drawn by Dave Gibbons) and Hard Boiled (drawn by Geof Darrow). In 1991, he was then already established at Dark Horse and was naturally part of the line-up of artists who contributed to the one-shot Dark Horse Presents 5th Anniversary Special. In this book, Miller wrote and drew what would become one of his most iconic comics, Sin City.

This crime noir saga would then continue in Dark Horse Presents issues #51 to 62. This would be later collected in paperbacks under the title “The Hard Goodbye.” With this, Miller won three Eisner Wards—Best Penciller/Inker, Black & White Publication, Best Writer/Artist, and Best Graphic Album: Reprint (Modern Material).

Sin City was not the first crime story Frank Miller had written, his work on Daredevil attests to that, but this series was written, drawn, and lettered by him.

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Captain Britain Reading Order, Marvel UK’s Superhero

Captain Britain Reading Order

At the beginning of the 1970s, Marvel Comics expanded its business by opening a new branch in Great Britain: Marvel UK. At first, and for a few years, it was just a way to reprint American comics in a magazine format in order to establish the brand. It didn’t really work. It was then decided that a real line of British comics was needed. This led to writer Chris Claremont being asked to come up with a British character. With artist Herb Trimpe, they created Captain Britain who made his debut in Captain Britain Weekly #1 in 1976.

Brian Braddock was chosen by the sorcerer Merlyn himself to become a hero. Between the sword of might and the amulet of right, Captain Britain emerged as the United Kingdom’s greatest champion from the streets of London to the mystic realm of Otherworld.

In the beginning, the Captain Britain series was written by tourists, Americans who only visited the UK. This didn’t help the book speak to British readers. The first issues are nevertheless important for the introduction of memorable characters like psychic Elizabeth “Betsy” Braddock, Brian’s twin sister, and their older brother Jamie Braddock—The Queen also appeared! The sales didn’t go up so Captain Britain was buried in a Spider-Man reprint title after 39 issues. The two heroes “really” met though, as Brian Braddock made his debut on the American market in a issue of Marvel Team Up.

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She-Hulk Origin Story or the Sensational Idea by Stan Lee

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With a TV show on the streaming service Disney+, a new comic ongoing series at Marvel (and reprints of old stories in new omnibuses), appearances in animated movies and TV shows, and probably some action figures, Jennifer “She-Hulk” Walters is more visible than ever.

Of course, she’s not a new character, and she was always quite hard to miss on the pages of comics—being green sets you apart. She-Hulk was always popular and that led her to have her own series, naturally, but also to join multiple teams like The Avengers, The Defenders, the Fantastic Four, Heroes for Hire, A-Force, and more! A notable success for a character that was primarily created to be trademarked by Marvel.

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The Venomverse: A guide to Marvel’s Main Symbiote Characters

For a long time, there was only one symbiote: Venom. Today, there are apparently more than 40 known symbiotes in the Marvel Universe. But who’s counting?

Introduced into the Marvel Universe during the 1985 Secret Wars event, the “black costume” was more than a new look for Spider-Man. This was an alien creature that bonded with the superhero and started to influence him. When Peter Parker realized that his new clothes were in fact a conscient being that was changing him not in a good way, he got rid of him… But that was just the beginning.

After that, the symbiote found a new host and was officially named Venom. He instantly became one of Spider-Man’s archenemies. That said, as writers explored the creature from outer space, it evolved as well as its mythology. Venom also had children, some really deadly ones! All had different hosts and powers, but all are vulnerable to intense heat and sonic vibrations.

Also, we are calling them the Symbiotes, but Venom is a member of the extraterrestrial species known as Klyntar. As we learned during the last few years, they were created by Knull, a malevolent god, a primordial Deity–and certainly one of Marvel’s most powerful supervillains –read the King in Black storyline for a better understanding of the menace he represented–, and creator of All-Black the Necrosword.

We are not here to talk about Knull (this is a subject for another article), but to speak about his creations. From Venom and Carnage to Rascal, here is a guide to the major symbiotes that appeared in the Marvel Universe during the last three decades.

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ElfQuest Reading Order

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Elfquest Reading Order

Published by Dark Horse Comics (home of Hellboy) since 2013, ElfQuest is much older than that as it was launched in 1978. Back then, the Fantasy series created by Wendy and Richard Pini was self-published, taking advantage of the emerging Direct Market. Things didn’t start without a bump.

The first Elfquest story was the lead feature in Fantasy Quaterly #1. But with Independent Publishers Syndicate immediately going out of business after one issue, the adventure could have ended pretty quickly, especially as the publisher refused to give the Pinis back the work they already provided for issue 2. Richard had to take a very long trip to get everything back. After that, the couple learned as fast as possible how to become publishers. They formed WaRP Graphics and put ElfQuest #2 out.

ElfQuest became a success story, one of the most popular self-published comic books (and brand). There were difficult times through the years, like the 1990s bubble. WaRP Graphics was closed in 2003, but ElfQuest is still here.

The story of ElfQuest started with the “Original Quest.” It was about Chief Cutter and the Wolfriders being driven from their forest home by the threat of annihilation. As they wander an ever-changing landscape inhabited by excitable humans–and other odd creatures–they discover other elf tribes as well. Alliances are forged, enemies discovered, and savage battles fought…

It is an epic fantasy adventure with sci-fi elements about nature-loving elves trying to survive on a world that isn’t theirs to begin with.

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30 Days of Night Reading Order

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30 Days of Night Reading Order

Published by IDW in 2002, 30 Days of Night is a three-issue horror comic book series written by Steve Niles (The October Faction) and illustrated by Ben Templesmith. Multiple miniseries followed, as well as novels and movie (and audio) adaptations. It did in fact become a movie after Niles wrote the comic version of the unsuccessful film pitch he had developed.

The story is about vampires in Barrow, Alaska, a place where the sun sets for about 30 days. As most of the locals go away during that nightly time, the ones who stayed become the target of a group of vampires. The town’s only hope of survival lies in the hands of Stella and Eben, the local husband-and-wife sheriff team. They have to face the vampire elder Vicente and survive until the sun came back.

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