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Fabien

Co-founder of Comic Book Treasury, your Hellboy Specialist and the man behind the Batman Modern Age and the Amazing Spider-Man Guides.

The Goon Reading Order

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Making his first official appearance in 1998 in the pages of Avatar Illustrated, The Goon has since moved to other publishers (going back and forth between Albatross Funnybooks and Dark Horse Comics), completed a full run, had a few one-shots, a graphic novel, and eventually came back for a new run. It certainly is a tumultuous adventure in comics publishing, but it’s nothing compared to the craziness of The Goon and Franky’s daily life!

We first meet The Goon when he is working as an enforcer for a gangster named Labrazio. He is a hulking, rough-edged enforcer with a tragic past who runs his operation by collecting money, killing deadbeats and generally being violent, with the help of his best friend and foul-mouthed, wisecracking (and equally violent) sidekick, Franky.

We are in Lonely Street, a crumbling American town filled with zombies, mutant creatures, ghostly priests, fishmen, mad scientists, hobos, and monstrous babies, a grotesque caricature of 1930s-50s pulp Americana, with everything from dingy alleys to dilapidated carnivals.

The Goon and Franky must deal with any sort of craziness, taking us on a journey going from absurd comedy one day to grim tragedy the other. It’s a very violent life and, even drawn in a gorgeously painted and cartoonish manner, it’s a gory one, a dark comedy with a sad heart and an affinity for anarchy, mixing noir-style crime fiction, horror, slapstick humor, and supernatural. Definitely, it’s for a mature audience. 

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Stray Bullets Comics: Looking Back At David Lapham’s 30-year-old Crime Classic

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After starting his career as a penciller at Valiant Comics, David Lapham followed Jim Shooter when he left to launch Defiant Comics, but thirty years ago, in 1995, it was his turn to open his own indie publishing house: El Capitan Books. His flagship self-published title was something quite different from what he was known to draw. No superheroes, but black & white crime fiction with the award-winning Stray Bullets series.

Entirely written, illustrated, and lettered by Lapham himself (who won the Eisner Award for Best Writer/Artist in 1996), the long-running series targets a mature audience with bleak stories of violence dipped in drama, romance, desperation, and disillusionment. It’s about regular people and criminals, children and adults, growing up and dying, at the periphery or in the heart of the crime world.

David Lapham’s Stray Bullets is not about one character going forward, as it follows a panel of different characters in stories told in a non-chronological fashion. It builds a large narrative, piece by piece, focusing on human experiences, developing thematically complex, rich tales defying clichés and tropes, notably about the consequences of violence and the cyclical nature of trauma. They are tragic vignettes revolving around people pushed to their limits. Every bullet makes an impact.

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Galactus Origin Story, The Creation of Stan Lee and Jack Kirby’s Devourer of Worlds

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One of Marvel Comics’ most powerful cosmic entities, Galactus was created by writer Stan Lee and artist Jack Kirby, and first appeared in Fantastic Four #48 (March 1966).

Initially, Galactus was just imagined as another super-villain that was to be bigger than the previous antagonists. But in order to differentiate him from the others and avoid delivering a stereotypical bad guy, Lee and Kirby decided to reimagine the character on a grander scale. The writer wanted him to be really evil. The artist went biblical. They wanted something new and created it. As a result, unlike typical antagonists, Galactus was not a villain in the traditional sense but a cosmic force of nature, an ancient being who consumes planets to sustain his existence.

This was different to the point of creating a shift in comic book storytelling at the time. But this article is not here to talk about Galactus’ impact on the medium, but to explain who he is as a Marvel character. As he is making another appearance on the big screen this summer, it’s the perfect moment to revisit his comic book origins.

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Transformers IDW Reading Order

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Like with the Teenage Mutant Ninja Turtles, the Buffyverse, or the G.I. Joe comic book franchise, IDW took over the Transformers comics and launched its own continuity–and there are some discussions about the more legitimate continuity, but it’s not the subject of this article. We are here to talk about the third Transformers comics series.

The first was published by Marvel (from 1984 to 1991), and the second by Dreamwave Productions (from 2002 to 2004). After that, IDW Publishing took over with the third series (the Generation 1 continuity) written by Simon Furman starting with issue #0 in October 2005 and a regular series starting in January 2006 (and ending in November 2018). The fourth series is a relaunch at IDW that started in 2019.

And so, as the official synopsis tells it, it began on Earth, in 2006. The fate of the planet is already sealed, its destiny decided… by the marauding mechanical beings known as Decepticons. In their way stand an embattled crew of seven hardy Autobot warriors, sworn to prevent the impending Armageddon at any cost, and an unlikely trio of human misfits, pulled kicking and screaming into a hitherto hidden world of pain and hurt. The can of worms is open, the genie is out of the bottle… and nothing will ever be the same again! It begins again — here, now — the saga of the war-torn robots in disguise, the Transformers!

In 2022, IDW Publishing lost the license to publish Transformers comics. Skybound Entertainment (an imprint of Image Comics) took it over and created the Energon Universe.

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The X-Files Comics: A Reading Guide to Mulder and Scully’s Comic Book Adventures

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Not many live-action TV shows have expanded their stories into comic books. Star Trek, Buffy the Vampire Slayer, and Firefly are the most successful examples, of course. Science fiction is a genre that lends itself perfectly to the medium. So it’s no surprise that The X-Files, the biggest sci-fi sensation on TV during the 1990s, expanded into the world of comics. 

Since the first issue was published in 1995 by Topps Comics, multiple comics have starred the famous FBI agents Mulder and Scully. Some are based on actual episodes of the show created by Chris Carter, while others are original stories that run alongside or continue the series after its cancellation. And now that there are talks about reviving the X-Files comics at Marvel, let’s take a look back at the long history of the franchise in print.

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Reading Jason Comics: A Guide to Explore the Norwegian Cartoonist’s World

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John Arne Sæterøy, known professionally as Jason, is a Norwegian cartoonist born in Molde in 1965. He began publishing comics in magazines during the 1980s but gained wider recognition in 1995 with his first graphic novel, Pocket Full of Rain (Lomma full av regn). Two years later, he launched his own comic book, Mjau Mjau, before shifting his focus exclusively to graphic novels in 2002.

Influenced notably by Hergé, Jason’s work is defined by clear line drawing, minimal text, and the frequent use of anthropomorphic characters. He often uses a four-panel grid (or nine) and favors a muted color palette, but a good part of his oeuvre is in black & white. His visual style remains consistent across his body of work, making his oeuvre coherent and immediately distinguishable from that of other cartoonists.

However, he doesn’t stick to one genre when it comes to the stories he tells. He can write crime and science fiction tales, historical pastiche, romance, and monster stories, often blending historical fiction with pulp tropes. He references Buster Keaton, explores Hemingway’s life with a twist, and talks about his long hikes in Europe. But he always focuses on human problems, exploring solitude, unspoken desire, or the absurdity of routine, often with a touch of melancholy, a dry humor, and an emotional edge.

Since 2001, Jason’s comics have been published internationally, with English editions appearing through Fantagraphics Books. His books are often released earlier in France, where he has lived since 2007 (currently in Montpellier). His work has received multiple awards, including the Eisner Award, the Inkpot Award, the Brage Prize, and the Sproing Award.

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Marvel’s Secret Wars Explained: The Events That Changed Comics

Fans had been dreaming about it for years, but it was ultimately the call for a toy line that would finally give life to the biggest team-up Marvel Comics could put together in 1984. Secret Wars was a commercial opportunity and became an industry-altering event that forever changed comics. No matter what people think about Jim Shooter’s tenure as Marvel editor-in-chief, this is his legacy.

Secret Wars (1984): The Original Battleworld

It was 1984, and toy manufacturer Kenner was about to launch its DC Comics-inspired line of action figures, Super Powers. At Mattel Toys, it was necessary not to let the comic book market go to the competition. That’s what led to a collaboration with Marvel Comics. Jim Shooter was all in and proposed to produce a story to promote the new line of Marvel action figures, “Cosmic Champions.” The title would eventually change, but the idea would stay the same: to provide a showcase of marketable superheroes and supervillains.

Following focus group tests, the twelve-issue limited series became “Marvel Super Heroes Secret Wars.” The story starts with an omnipotent being called the Beyonder abducting dozens of characters to a patchwork planet named Battleworld. There, he announced, “I am from beyond! Slay your enemies and all that you desire shall be yours! Nothing you dream of is impossible for me to accomplish!” What follows is constant action, alliances, twists, and lasting developments that impacted the Marvel Universe.

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Peacemaker Reading Guide: Exploring Christopher Smith’s DC Comics Quest For Peace

“A man who loves peace so much that he is willing to fight for it!” That’s the original tagline from 1966 Fightin’ 5 #40. Published by Charlton Comics and created by writer Joe Gill and artist Pat Boyette, Peacemaker is Christopher Smith, a pacifist American diplomat, who is wearing red and white tights and a strange helmet to fight against super-criminals and other warlords. At least, he did it during the 5 issues his self-titled series lasted. He was just a bland hero of another era, but one that DC Comics acquired alongside The Question, Blue Beetle, and Captain Atom.

Peacemaker Kills For Peace in The DC Universe

It was the 1980s, and Peacemaker was one of the characters that was going to be reintroduced, making their debut in the new Alan Moore-Dave Gibbons series, Watchmen! But things got too dark, and DC Comics decided not to follow this road. Instead of Peacemaker, we got the Comedian, a character who made a bigger mark on the history of the comics industry than Christopher Smith’s vigilante alter-ego. At least, until James Gunn put him in his movie The Suicide Squad. Played by John Cena, the character is now the star of his own TV Show.

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John Henry Irons, Steel Reading Order, Superman’s Ally

In the aftermath of The Death of Superman storyline, the DC Comics Universe was without a Man of Steel, but not for long, as soon appeared one man who became Steel, John Henry Irons (a reference to the African American folk hero John Henry).

First appearing in The Adventures of Superman #500 (1993), Irons was created by writer Louise Simonson and artist Jon Bogdanove as part of the Reign of the Supermen storyline, which followed the death of Superman at the hands of Doomsday. With Superman temporarily gone, four potential successors to Superman appeared to try to replace him as defender of Metropolis. Steel was one of them.

A brilliant engineer and weapons designer, Doctor John Henry Irons had once created powerful weaponry for a defense contractor, AmerTek, only to watch it fall into the wrong hands. Haunted by guilt, he abandoned his former life, faking his death and moving to Metropolis, where he was saved during a construction accident by Superman himself. Inspired by this event and Superman’s words (“live a life worth saving”), Irons finds a way to redeem himself, and, after Superman’s death, he takes up the mantle. He wanted not to replace Superman, but to honor him. To do this, Irons built a high-tech suit of armor and wielded a mighty hammer as the armored hero Steel.

When Superman eventually comes back, he accepts Steel as an ally. Since then, John Henry Irons kept fighting the good fight and was eventually joined by his niece, Natasha Irons, who would eventually become a hero in her own right. A brilliant teenager assisting her uncle, Natasha got her own armor of steel, and her relationship with John evolved as he became a true father figure for his niece. Being Steel became a family affair.

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Marvel Runaways Reading Order

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First published by Marvel Comics in July 2003, The Runaways is a comic book series created by writer Brian K. Vaughan (Saga) and artist Adrian Alphona. It launched as part of Marvel’s “Tsunami” imprint, an initiative designed to attract readers who were fans of manga and other youth-oriented genres. Although the Tsunami line was discontinued after a brief period and despite modest initial single-issue sales, The Runaways found new readers with the help of the trade paperback collections, which led Marvel to revive the title in 2005 after an initial cancellation.

This starts as the story of six teenagers from Los Angeles: Nico Minoru, Chase Stein, Karolina Dean, Gertrude Yorkes, Molly Hayes, and Alex Wilder. They have little in common beyond the annual gatherings of their wealthy parents. When they accidentally discover that their parents are part of a secret criminal cabal known as the Pride, an organization that has covertly controlled much of the city’s underworld, their lives are upended. Shocked by the revelation, the teens band together and flee from their homes, determined to put an end to their parents’ criminal activities while struggling to survive on their own.

Over time, the group members each develop distinct roles and abilities that aid them in their fight against the Pride and other adversaries. Nico Minoru wields a powerful magical artifact called the Staff of One; Chase Stein utilizes advanced technology stolen from his parents; Karolina Dean learns she is an alien with the ability to manipulate solar energy; Gertrude Yorkes bonds telepathically with a genetically engineered dinosaur; Molly Hayes manifests superhuman strength and invulnerability; and Alex Wilder emerges as a strategic leader, though his loyalty becomes a pivotal point in the early narrative.

Following Vaughan and Alphona’s departure after 30 additional issues, The Runaways was continued by other creative teams, including notable writers such as Joss Whedon and Terry Moore. The Runaways inspired a 3-season (2017-19) live-action adaptation for the streaming service Hulu.

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